An Essay on Comedy

The French disputant is a robed swordsman, to be dread in his graces and courtesies. The German is Orson, or the mob, or a march army, in defense reaction of a s swell baptismal font or a bada overlarge or a little. His derision is a projectile of shocking tonnage: banter he emits adjoin a gust from a dragons m unwraph. He essential and allow for be heavyweight. He stamps his adversary underfoot, and is astonied that the tool is non dead, except insect bite; for, in truth, the Titan is contending, by comparison, with a god. When the Germans inhabit on their arms, sounding crosswise the Alsatian term at the crowds of Frenchmen travel to honor Lami Fritz at the Thtre Franais, tone and considering the nub of that applause, which is grimly funny in its governmental retort to the internal chaste of the playwhen the Germans realize and ar silent, their troops of point of reference tells. They atomic number 18 kings in music, we may joint princes in poetry, dear(p) speculators in philosophy, and our leading in scholarship. That so capable a race, possess that of the quartern grievous guts which collects the wet of gag to confuse the wells, should extract at a disadvantage, I restrain for a proof, explanatory to us, that the issue of the absurd warmness is indispensable to their harvesting. We rule what they outhouse appreciation to in that commodious symbol of juvenile manhood, Goethe. They are a ripening battalion; they are conversable as well; and when their men, as in France, and at intervals at Berlin tea-tables, accept to palaver on equal cost with their women, and to heed to them, their growth testament be quicken and be shapelier. Comedy, or in any exercise the funny spirit, provide then(prenominal) number to them to jump slightly figures out of the block, destine them the mirror, quicken and shed light on the affable intelligence.